Starting work

If I'm in the middle of a project, whether it is at my full-time job or at my lampworking, my desk is cluttered. Papers, books, references, student papers -- all are organized so I can get at them, but it may not appear to be organized to anyone who looks at them. Similarly, rods of glass, twisties, pieces of cane, tools, and glass pieces lie scattered all over my tile-topped worktable.

But when I start working on a new project, such as writing an essay or making up a custom order, or even just trying some experiments with glass, I have to clear my desk or workbench. I put away all the glass rods, line up the tools, organize my stringers, and sweep up the pieces from popped glass. It's all part of the process of getting ready.

What new project have I got today in glass? I just got a new-to-me disc press, and I am excited to try it! I also have a custom order for my Fiesta series. Academically, an article appeared in the Atlantic Monthly about teaching adult students that seems to me to be written from the position of a helpless victim, and I want to reply with a far more active and hopeful vision for both adult students and their professors.

It's already ten ... time to clear those desks and get to work!

Susan Sheehan at Flaming Hot! asked people to think about what they could be if they had any talent, ability, or lifestyle they wished. Hmm, you mean, like a lack of procrastination? I've been told that having too many ideas is always better than having too few, but when combined with procrastination, too many ideas can be a problem, too ... I don't want to commit to doing any one thing, so I wind up avoiding all of it.

If I could have any ability I wished, I think it would be the ability to really focus and see what's around me, and to translate that into an artistic vision -- painting, glass, writing. I'd like to have the freedom to travel for half the year and see places, and have people to travel with. But I don't want to travel all the time; I've moved so often that I find I want roots in the small daily accumulation of life, the knowing of a single place over time and season. I want the macro vision that comes from leaving and looking at the world, and the micro vision that comes with knowing something well.

Thinking of knowing makes me think about having gone back to my glass roots with a couple of organics this week. This one is "Abalone Shell,"
made with Vetrofond oddlot seashell swirl, raku, and cobalt, plus some silvered ivory stringer. I really like the way the glasses react with one another!



This is "Tree of Life." I wasn't trying to make a tree, let alone one that seems to stand through a silver river or silver stars. It's made with the same materials as the beads above, with the addition of raku frit, and is a good example of "time to use up every scrap on my work table." I have some more, but ... was I talking about procrastination? I have to finish my grading and get to class to teach!

Pulling Rainbow Cane

This weekend my friend J and I took a class at Flame Tree Glass on pulling rainbow cane. As we were the only students, Lance went ahead and gave us a good solid review of latticino in general, which was really good--I pull it all the time, but I really had no clue as to the theory of it. After this class I am a lot more able to get the precise results I want, rather than guessing what will happen if I put the glass in different spots.

What is latticino? It's a thin rod of glass that has a white (italian latte, milk) or clear base, and colored threads spiraling down the rod. Each color lasts for the full length of the latticino cane. Rainbow cane, however, is different. The color starts at one end and slowly goes through a short section of each color, each one blending slowly into the next. Here are some examples from class. We pulled a monster cane that was truly a rainbow, with colors from purple to red, and these images are the two parts of various canes:





To make any cane, first you melt the end of a long rod of white or clear. You can press it into a paddle shape or roll it into a cylinder that is somewhat fatter than the original rod diameter. Using a paddle or a barrel will change how your cane looks! Then stripe colored glass onto the paddle or cylinder, parallel to the rod.

If you want rainbow cane, make a paddle, and put the color widthwise on each side of the paddle, as if you were crossing the T relative to the upright rod. On the short edges of the paddle, lay glass parallel to the rod -- that's what makes the colors stripe one after another on the pulled cane, but keeps the black constant down the rod.

One of the lovely things about latticino is the brilliant color you can achieve. Layering a transparent color on white gives you a clarity that is unmatched. The problem is how to get the color to last throughout the cane and not get too pale and attenuated -- a couple of the ones below have inconsistent color. Generally, the thinner you plan to pull the cane, the more layers of transparent color there should be to make sure you get the depth of color you want.

Here are some of the other ones that we pulled, or that I pulled this weekend:



Now I just need to learn to USE twisties so they stay recognizeable. Mind you, they are perfectly lovely when you jumble them up, but I'd like to practice using them very precisely.

Here are some beads made with a green and blue "rainbow" latticino cane, laid on in stripes but still allowed to jumble together a bit. These are just from the blue part, but you can see the green shading in.



I think they have a bit of a Monet Iris look, but I called the set "Mexican Blanket," because the combination of the cobalt and green with the white and thin black stripe reminds me of the Mexican blankets we used to use as picnic and park blankets when I was a kid. I need to make a twistie with orange, pink, and hot green shades to complement this set.

In memoriam

I had to have Piglet, my handicapable Welsh Corgi, put to sleep this morning.

We had a scare in March, and I thought I'd lose him then. But he perked back up again. However, he's been sleeping and dozing more and more. He had a last good weekend while I was at the Charleston show, with Dogmaw's dogs, Ammie and Dozer. But by Saturday there was no way I could sit him that he wasn't inflaming a pressure sore, and he had picked up the worst case of maggots I had ever seen (and I've dealt with them before). The maggots just blossomed on Saturday, and I alternated between picking maggots and thinking about my syllabus. This had happened last year too, and I kept him dry--once the maggots are picked off (yes, ewwww!)he's fine, and they do debride any infected wounds. I planned to call the vet on Monday and get some antibiotics, and all would be well.

But the maggots kept multiplying; the two times he had them before I could remove them all in a few sessions with the clippers and haemostats. By Sunday afternoon they had moved into healthy skin, and started digging, and Piglet stopped being able to sit up on his own--I think he had a small stroke, for he just rolled over, always on the right side (that leg had been weak for a while). There were just too many problems, all at once, and he was no longer a happy dog.

So it was well time.

So he's back with his momma Eilonwy and sister Arrow in the corgipack, and he's running around with my mother and herding all of our past cats and anything else he can see.

The house seems very empty and VERY quiet.

How Much Time ...

Susan Sheehan of Flaming Hot! asks how much time the business end takes us versus how much time creating material. In my case, and in many others, one has to add time on a full-time job.

What do I do on the business end? Display, record keeping and promotional activities are the main categories here. I have to take and edit pictures; I need to maintain good inventory and sales records, and I need to promote via networking sites, image galleries, and blogs on the Net, and also promote in brick and mortar venues. In addition I need to work full-time and find creation time ... but I also need to carve out time that is neither work nor production, in order to recharge.

How much time? In some ways, it is hard to know. Liz Davenport, in Order from Chaos, suggest that there is only now. (However, there's also "pending"). I practice that--I say practice, because I fall flat now and then. Okay, a lot. I take photos. If I can, I edit them then. If not, I edit them as I post on ETSY. As I post, I enter each set or focal into my Open Office Spreadsheet (a work in progress, but I am happy to share it!). It automates some of the repetitive entries and allows me to generate an invoice without retyping data or much cut and paste, and I will be happy to share the basic template. Increasingly, though, I think a relational database will further simplify data records. Whatever way works, it only functions as a time saver if I enter data as I list it on the website or on ETSY, and at point of sale. Five minutes versus hours at monthly tax-time is a major time savings!

Promotional activities go in "Pending," and I schedule time for them. Mostly; I'm squeezing this into cleaning up time! Blogs and Flicker can "fit into" my work day, but that means that they are not consistent. My best success is to post on Flickr and this blog as I list items -- as part of record keeping -- and to update other galleries, such as Bead artists.orgT and Talent DatabaseT, once every two weeks or so. I leave cards at places I visit regularly. I am still working out that rhythm. It still adds hours ... ten minutes and five minutes and half an hour add up!

Part of the reason for "doing it now" in five to ten minute bursts is my full-time job. I teach history to adult students returning to school, taking night classes. The up-side to my job is that it is flexible. Currently, for example, I am sitting in my office, ready to register my advisees for their fall classes. Business has been steady enough that reading something and making notes on it is really not an option, but posting a fast blog post, editing FLICKR titles, and the like -- things I can pick up and put down in five minutes -- are possible. I can also work much of the week and Saturday and take off a Thursday to torch without interruptions, or arrange my schedule in other ways. The downside to my job is that flexibility has limits. Class time, committee work, faculty meetings, and office hours are not flexible, and if I am teaching a new class or writing an article preparation will take priority over everything.

Overall, the time I spend fluctuates. I try to regularize and almost automate most tasks -- this blog appears on my website, which means that new listings show up there regularly, too. But my "behind the scenes work" is like the rest of my life: in seasons. Some things are daily, or as daily as I can make them: ETSY listings and sales records. Some things are monthly: secondary web posts, brick-and-mortar card refreshing vists. Some things take precedence at some times of the year. ANd doing things as they arise is the key to my sanity. So far. Ask me tomorrow and my system may be different, because my rhythm will have changed.