Maybe that's a good thing, because it lets me regenerate. But when I don't torch regularly, I also feel as if, when I do come to the torch, as if all I do is to waste glass.
What to do, what to do? I still have one custom order to finish, and while sometimes one is sick of making the same beads over and over and OVER, at the same time, structure is a good way to jump start the ideas for new beads.
I also asked friends to give me assignments, and Gwacie of Gwaciebeads came up with an assignment: a blue focal with dots spiraling on it. Another friend, Tinroof, suggested beads made with two variants of copper ruby frit and silver on a black base.
The CR bead didn't work for me, but in fairness I tried it last, and was tired. As for the blue focal, first I took Gwacie literally and tried my hand at THE blue bead (first picture, made by Sarakay). This bead style became a real sensation for a while, and generated many copies after Sarakay posted her fantastic tutorial. I didn't get the right reaction, but you can see a little bit of it on my bead.

Then I actually did Gwacie's assignment. First off was a bead

Then I tried a new Vetrofond color that has a really nice streaky clear blue background, and made swirled dots for it. I just grabbed stringers at random, and found that they were some I had mixed for a floral bead. That meant that the dots were not crisp and clean, but instead were somewhat muddy. Oh, well. It fit the bill. Then I got sidetracked trying to make good chunky discs.
Next up when I get to the torch will be the Copper Ruby / fine silver reaction, as per Tinroof, and Gwacie's next assignment: the longest tube bead I have ever made, the teeniest decorated bead I have ever made, and the bead with the most colors I have ever used. Of course, I wound up taking a side-trip this last weekend ... tell you about that tomorrow.


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